AHRC White Rose (WRoCAH) funding for Doctoral Research in Music at the University of York
The University of York invites applications for PhD research in any area of Music. A number of fully-funded studentships are available for outstanding candidates.
- Contemporary Music
- Musical Analysis
- Opera Studies
- Baroque Music
- Word and Music Studies
- Music and Embodiment
- Instrumental and vocal pedagogy
- Jazz and improvisation
- Live electronics and sound art
- Studio Production
- Psychology of Music
Students may propose topics under any of these headings. For 2017 there are up to seven scholarships available. The scholarship covers the UK/EU tuition fees and, for eligible students, a maintenance grant (£14,296 in 2016/17).
Applicants for WRoCAH studentships must have made an application for PhD study before the WRoCAH funding deadline of Wednesday 1 February 2017 at 5pm (GMT). Application forms may be found at the WRoCAH application page.
You are encouraged to discuss your application with a potential supervisor before making an application. For further details of specific staff interests, see:
Miller Theatre in New York City has unveiled its 2017-18 season, which is to include an evening length Portrait Concert of Composer Ann Cleare, Associate Lecturer of Composition in the Music Department.
BBC Radio 3 celebrated the 70th birthday of Emeritus Professor Nicola LeFanu by selecting her as Composer of the Week.
The Magic Paintbrush (By Helen Madden) and Greenacre School Anthem (By Judith Weir and Helen Madden).
Feb 13th and 15th 2017 saw two very special performances of ‘The Magic paintbrush’, a folk opera written for professional performers and school children.
A.I.LOVEs2scream captures a recent improvisation session by Federico Reuben (live coding / electronics) and Paulina Owczarek (alto saxophone).
Ricardo Alvarez Bulacio took part in two international conferences this month, presenting postdoctoral work developed at the Humanities Research Centre.
Catherine Laws gave a keynote address and a performance at ‘Embodied Monologues’, an international symposium of practitioner-researchers in music, theatre and dance, at the National University of Ireland Maynooth, on March 31st. On April 29th she will present a keynote speech at ‘Please Specify!: Sharing Artistic Research Across Disciplines’, the conference of the International Society for Artistic Research, at the University of the Arts, Helsinki, including a performance of ‘Touch and Go’ for piano, written for Catherine by Roger Marsh.