AHRC White Rose (WRoCAH) funding for Doctoral Research in Music at the University of York
The University of York invites applications for PhD research in any area of Music. A number of fully-funded studentships are available for outstanding candidates.
- Contemporary Music
- Musical Analysis
- Opera Studies
- Baroque Music
- Word and Music Studies
- Music and Embodiment
- Instrumental and vocal pedagogy
- Jazz and improvisation
- Live electronics and sound art
- Studio Production
- Psychology of Music
Students may propose topics under any of these headings. For 2017 there are up to seven scholarships available. The scholarship covers the UK/EU tuition fees and, for eligible students, a maintenance grant (£14,296 in 2016/17).
Applicants for WRoCAH studentships must have made an application for PhD study before the WRoCAH funding deadline of Wednesday 1 February 2017 at 5pm (GMT). Application forms may be found at the WRoCAH application page.
You are encouraged to discuss your application with a potential supervisor before making an application. For further details of specific staff interests, see:
James Cave has been announced as the winner of the ‘Same Notes – Ten Times Sweeter’ Competition
This competition was for a piece for unaccompanied descant or treble recorder, three to four minutes long.
James Cave’s setting of ‘Ave Maria’, commissioned by the Dean and Chapter of York Minster for the Nine Lessons and Carols 2016, has been selected for inclusion on a new CD of pieces written for York Minster, to be released on Regent Records later this year.
For the second year running, Martin Suckling features in the Scottish Awards for New Music. His flute concerto, The White Road, premiered last February by Katherine Bryan and the Royal Scottish National Orchestra, is shortlisted in the ‘Large Scale Work (11+ performers) sponsored by PRS for Music’ category. Over 180 nominations were submitted by artists, audience members and the general public, reinforcing the depth and breadth of new music activity in Scotland. The awards event will be held at the Drygate Brewery, Glasgow on Wednesday 7 March 2017.
PhD student Patrick John Jones has been selected for PRS for Music’s new scheme for composers, Accelerate.
On Friday 12th January, Martin Suckling’s new string quintet, Emily’s Electrical Absence, a collaboration with poet Frances Leviston and scientists from the PETMEM consortium, receives its premiere in London as part of the ‘Time Unwrapped’ series at King’s Place. The following day in New York City, Lost Dog New Music Ensemble give the second US performance of Martin’s clarinet trio Visiones (after Goya) as part of their mini-festival of British music, ‘The UK Commotion’.
The Journal of Music, Technology and Education recently published a special edition on the Online Orchestra, an Arts & Humanities Research Council-funded project that run between October 2014 to March 2016.