AHRC White Rose (WRoCAH) funding for Doctoral Research in Music at the University of York
The University of York invites applications for PhD research in any area of Music. A number of fully-funded studentships are available for outstanding candidates.
- Contemporary Music
- Musical Analysis
- Opera Studies
- Baroque Music
- Word and Music Studies
- Music and Embodiment
- Instrumental and vocal pedagogy
- Jazz and improvisation
- Live electronics and sound art
- Studio Production
- Psychology of Music
Students may propose topics under any of these headings. For 2017 there are up to seven scholarships available. The scholarship covers the UK/EU tuition fees and, for eligible students, a maintenance grant (£14,296 in 2016/17).
Applicants for WRoCAH studentships must have made an application for PhD study before the WRoCAH funding deadline of Wednesday 1 February 2017 at 5pm (GMT). Application forms may be found at the WRoCAH application page.
You are encouraged to discuss your application with a potential supervisor before making an application. For further details of specific staff interests, see:
Professor Ambrose Field is part of a York research team working with Liverpool based artist Laurence Payot to create Living Sculpture (Virtual), on Platform 6 at Crewe Station from Friday 10th March. More information here.
A project which includes the work of Dr Jonathan Eato (Hannah Bruce Company on behalf of Hoxton Hall, The Hoxton Hall Experience: A Collection of Small Choices) has been shortlisted for a Museums and Heritage Innovation Award.
eyam v (woven) for contrabass flute, contrabass clarinet and orchestra by Associate Lecturer in Composition Ann Cleare was premiered by the RTÉ National Symphony Orchestra of Ireland at The National Concert Hall in Dublin on February 14th.
[rout], the new music ensemble with whom Catherine Laws performs keyboards, is giving the first performance of Paul Whitty’s somewhere a field on Thursday March 9th at audiograft, Oxford’s annual festival of experimental music and sound.
Ligeti Quartet Composers Workshop
As part of the weekly CMRC Composers Seminars, the Ligeti Quartet visited the department on 28th February 2017 for a workshop with undergraduate and postgraduate composers.
A new piano trio by Roger Marsh – ‘Cracks’ – was premiered at the Bangor Music Festival on Feb 18th by the Fidelio Trio. Marsh also gave a pre-concert talk and adjudicated a competition for young composers. The following day four numbers from his vocal work Pierrot Lunaire 50 Rondels Bergamasques were performed in a recital entitled ‘Shades of Pierrot’.