Ann Cleare at Huddersfield and in Europe
Ann Cleare’s work the square of yellow light that is your window will receive its UK premiere at Huddersfield Contemporary Music Festival on Saturday, November 25th. Written for saxophone, piano, percussion, and electric guitar, Ensemble Nikel have previously presented this piece at Adevantgarde Festival in Munich, Bludenzer Tage zeitgemäßer Musik in Austria, and will also be performing it at Ultraschall Festival,
Other recent works of Ann Cleare have also received European festival exposure this Autumn season: Yarn/Wire presenting the piano/percussion quartet I should live in wires for leaving you behind at Transit Festival, Belgium and at Rainy Days Festival, Luxembourg; ensemble mosaik touring ore for clarinet and string trio to Trattorie Festival, Italy and to Kunstraum and Klangwerkstat
See an excerpt of Nikel’s performance of the square of yellow light that is your window from their November 16th concert in Austria here:
James Cave has been announced as the winner of the ‘Same Notes – Ten Times Sweeter’ Competition
This competition was for a piece for unaccompanied descant or treble recorder, three to four minutes long.
James Cave’s setting of ‘Ave Maria’, commissioned by the Dean and Chapter of York Minster for the Nine Lessons and Carols 2016, has been selected for inclusion on a new CD of pieces written for York Minster, to be released on Regent Records later this year.
For the second year running, Martin Suckling features in the Scottish Awards for New Music. His flute concerto, The White Road, premiered last February by Katherine Bryan and the Royal Scottish National Orchestra, is shortlisted in the ‘Large Scale Work (11+ performers) sponsored by PRS for Music’ category. Over 180 nominations were submitted by artists, audience members and the general public, reinforcing the depth and breadth of new music activity in Scotland. The awards event will be held at the Drygate Brewery, Glasgow on Wednesday 7 March 2017.
PhD student Patrick John Jones has been selected for PRS for Music’s new scheme for composers, Accelerate.
On Friday 12th January, Martin Suckling’s new string quintet, Emily’s Electrical Absence, a collaboration with poet Frances Leviston and scientists from the PETMEM consortium, receives its premiere in London as part of the ‘Time Unwrapped’ series at King’s Place. The following day in New York City, Lost Dog New Music Ensemble give the second US performance of Martin’s clarinet trio Visiones (after Goya) as part of their mini-festival of British music, ‘The UK Commotion’.
The Journal of Music, Technology and Education recently published a special edition on the Online Orchestra, an Arts & Humanities Research Council-funded project that run between October 2014 to March 2016.