CMRC awarded £50,000 AHRC Cultural Engagement Fund grant
Tim Howell has been awarded £50,000 from the AHRC’s 10th Anniversary Cultural Engagement Fund to enable the Department to host a new project, ‘From Score to Sound: engaging audiences with new music’.
Tim will work with Research Fellow Martin Scheuregger to deliver the project, which aims to implement and evaluate an approach for engaging the public in twentieth and twenty-first-century British music. In partnership with Sound and Music (the UK’s charity for new music) and contemporary music ensemble Dark Inventions, the CMRC will facilitate three Discovery Days and concerts in York, Huddersfield and London.
Read more on the From Score to Sound project page.
Carlos Zamora’s chor piece “O Magnum Mysterium” was shortlisted at the 2nd MICF Composition Competition in the Malta International Choir Festival.
Ben Eyes works as sound designer and engineer for the Jane Horrocks show “Cotton Panic” at Manchester International Festival.
PhD Composition student Ben Eyes is currently working as sound designer and sound engineer for the Jane Horrocks show “Cotton Panic” at Manchester International Festival.
Ben Eyes and James Cave won an award at the International Community for Auditory Display conference 2017 at Penn State, for ‘Best Use of Sound’.
Miller Theatre in New York City has unveiled its 2017-18 season, which is to include an evening length Portrait Concert of Composer Ann Cleare, Associate Lecturer of Composition in the Music Department.
BBC Radio 3 celebrated the 70th birthday of Emeritus Professor Nicola LeFanu by selecting her as Composer of the Week.
The Magic Paintbrush (By Helen Madden) and Greenacre School Anthem (By Judith Weir and Helen Madden).
Feb 13th and 15th 2017 saw two very special performances of ‘The Magic paintbrush’, a folk opera written for professional performers and school children.