CMRC awarded £50,000 AHRC Cultural Engagement Fund grant
Tim Howell has been awarded £50,000 from the AHRC’s 10th Anniversary Cultural Engagement Fund to enable the Department to host a new project, ‘From Score to Sound: engaging audiences with new music’.
Tim will work with Research Fellow Martin Scheuregger to deliver the project, which aims to implement and evaluate an approach for engaging the public in twentieth and twenty-first-century British music. In partnership with Sound and Music (the UK’s charity for new music) and contemporary music ensemble Dark Inventions, the CMRC will facilitate three Discovery Days and concerts in York, Huddersfield and London.
Read more on the From Score to Sound project page.
Miller Theatre in New York City has unveiled its 2017-18 season, which is to include an evening length Portrait Concert of Composer Ann Cleare, Associate Lecturer of Composition in the Music Department.
BBC Radio 3 celebrated the 70th birthday of Emeritus Professor Nicola LeFanu by selecting her as Composer of the Week.
The Magic Paintbrush (By Helen Madden) and Greenacre School Anthem (By Judith Weir and Helen Madden).
Feb 13th and 15th 2017 saw two very special performances of ‘The Magic paintbrush’, a folk opera written for professional performers and school children.
A.I.LOVEs2scream captures a recent improvisation session by Federico Reuben (live coding / electronics) and Paulina Owczarek (alto saxophone).
Ricardo Alvarez Bulacio took part in two international conferences this month, presenting postdoctoral work developed at the Humanities Research Centre.
Catherine Laws gave a keynote address and a performance at ‘Embodied Monologues’, an international symposium of practitioner-researchers in music, theatre and dance, at the National University of Ireland Maynooth, on March 31st. On April 29th she will present a keynote speech at ‘Please Specify!: Sharing Artistic Research Across Disciplines’, the conference of the International Society for Artistic Research, at the University of the Arts, Helsinki, including a performance of ‘Touch and Go’ for piano, written for Catherine by Roger Marsh.