News

Competition successes for undergraduate composer Joel Järventausta

Joel Järventausta

Third year undergraduate Joel Järventausta has enjoyed several recent successes in high-profile composition festivals.

Joel’s works stony mountains to rise for orchestra andSävyt for chamber ensemble have been awarded reserve places at the Ung Nordisk Musik (UNM) Festival in Aarhus 2016. Whilst a two-minute miniature for clarinet and violin has also been chosen to be performed by members of the Red Note Ensemble as part of their Noisy Nights series Call for Scores on 26 February in St Andrews in the Bar of the Byre Theatre.

Joel has alos been selected as a finalist in the London Ear Festival Composer’s Competition 2016 and will receive a performance of his work for solo cello racing thoughts on the 12 March 2016 by Rohan de Saram.

  • Ann Cleare’s Miller Theatre Concert previewed in the New York Times

    Miller Theatre in New York City has unveiled its 2017-18 season, which is to include an evening length Portrait Concert of Composer Ann Cleare, Associate Lecturer of Composition in the Music Department.

  • Nicola LeFanu on BBC

    BBC Radio 3 celebrated the 70th birthday of Emeritus Professor Nicola LeFanu by selecting her as Composer of the Week.

  • The Magic Paintbrush (By Helen Madden) and Greenacre School Anthem (By Judith Weir and Helen Madden).

     

    Feb 13th and 15th 2017 saw two very special performances of ‘The Magic paintbrush’, a folk opera written for professional performers and school children.

  • New improvisation album by Federico Reuben and Paulina Owczarek

     
    A.I.LOVEs2scream captures a recent improvisation session by Federico Reuben (live coding / electronics) and Paulina Owczarek (alto saxophone).

  • Ricardo Alvarez Bulacio in Hull and Sheffield

    Ricardo Alvarez Bulacio took part in two international conferences this month, presenting  postdoctoral work developed at the Humanities Research Centre.

  • Catherine Laws in Ireland and Finland

    Catherine Laws gave a keynote address and a performance at ‘Embodied Monologues’, an international symposium of practitioner-researchers in music, theatre and dance, at the National University of Ireland Maynooth, on March 31st.  On April 29th she will present a keynote speech at ‘Please Specify!: Sharing Artistic Research Across Disciplines’, the conference of the International  Society for Artistic Research, at the University of the Arts, Helsinki, including a performance of ‘Touch and Go’ for piano, written for Catherine by Roger Marsh.