I Fagiolini premieres new work by William Brooks on Radio 3
Robert Hollingworth and Department associate ensemble I Fagiolini gave the first performance of a new Shakespeare setting by Professor William Brooks on Monday 11 April 2016
The performance was broadcast live on BBC Radio 3 from Wigmore Hall London. The sonnet set by Brooks is an irreverent set of puns on the word ‘Will’. Brooks’s equally irreverent setting mixes Schubert, country-western, Bobby McFerrin, and “How Dry I Am” into a quodlibet—a ‘what-you-will.’
I Fagiolini performed the work alongside contemporary settings by Janet Wheeler and Adrian Williams, and English madrigals from the early 17th century.
The concert can be heard on BBC iPlayer until 10 May 2016.
Miller Theatre in New York City has unveiled its 2017-18 season, which is to include an evening length Portrait Concert of Composer Ann Cleare, Associate Lecturer of Composition in the Music Department.
BBC Radio 3 celebrated the 70th birthday of Emeritus Professor Nicola LeFanu by selecting her as Composer of the Week.
The Magic Paintbrush (By Helen Madden) and Greenacre School Anthem (By Judith Weir and Helen Madden).
Feb 13th and 15th 2017 saw two very special performances of ‘The Magic paintbrush’, a folk opera written for professional performers and school children.
A.I.LOVEs2scream captures a recent improvisation session by Federico Reuben (live coding / electronics) and Paulina Owczarek (alto saxophone).
Ricardo Alvarez Bulacio took part in two international conferences this month, presenting postdoctoral work developed at the Humanities Research Centre.
Catherine Laws gave a keynote address and a performance at ‘Embodied Monologues’, an international symposium of practitioner-researchers in music, theatre and dance, at the National University of Ireland Maynooth, on March 31st. On April 29th she will present a keynote speech at ‘Please Specify!: Sharing Artistic Research Across Disciplines’, the conference of the International Society for Artistic Research, at the University of the Arts, Helsinki, including a performance of ‘Touch and Go’ for piano, written for Catherine by Roger Marsh.