News

Piano Concerto shortlisted for SAfNM honour

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Music Department Senior Lecturer Martin Suckling’s Piano Concerto has been shortlisted in the Large Scale Work category of the inaugural Scottish Awards for New Music.  Over 180 nominations were submitted by artists, audience members and the general public, reinforcing the depth and breadth of new music activity in Scotland.  The awards event will be held at the Drygate Brewery, Glasgow on Wednesday 8 March 2017.
Intended to highlight and showcase the innovative, experimental and ground-breaking work taking place in Scotland, the Scottish Awards for New Music have been created by New Music Scotland with financial support from Creative Scotland, the Musicians’ Union, Steinberg, the Royal Conservatoire of Scotland, PRS for Music and Help Musicians UK.
The Piano Concerto was premiered in October by the Scottish Chamber Orchestra and pianist Tom Poster and described by the press as a ‘multi-faceted’ piece containing ‘music of bracing immediacy’ (The Herald).  Next week sees the premiere of another concerto by Dr Suckling, this time for flute, with the soloist Katherine Bryan and the Royal Scottish National Orchestra on 3 and 4 February in Edinburgh and Glasgow.
  • Postgraduate Forum September 27th

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    9:00 – Coffee – MRC Foyer
    10.00 – Lecture Recital: Beau Stocker (percussion) – Rymer Auditorium
    (Chair: Carmen Troncoso)
    Drums – Timbre – Africa – Rhythm – Improvisation
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    11:00 – Coffee – MRC Foyer
    11:30 – Paper Session 1 – Rymer Auditorium (Chair: Catherine Fahy)
    Helen Diggle – “Such a Lappish Thing that it Cannot Be Translated”: Joik as a
    Reimagined Method of Communication
    James Redelinghuys – African Eyes, African-ize, African Ass
    Katherine O’Neill – The way you make me feel’ An investigation into the effect
    of induced empathy on subjective response to music
    13:00 – Lunch – MRC Foyer
    14:00 – Composition Workshop – Jack Lyons (Chair: Dr Martin Suckling)
    Carlo Banhos Estolano – Liv 10 Anos (flute quartet, classical guitar and
    percussion)
    Catherine Robson (Clarinet, Alto Sax., Viola, Double bass)
    Stefano Gioffré – Obviously it’s love (String quartet)
    Shu-Yu Lin – String quartet
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    15:30 – Coffee – MRC Foyer
    16:00 – Paper Session 2 – Rymer Auditorium (Chair: Owen Burton)
    Neil Luck – Operatic Mass Actions – A report on a collaborative ‘City-Opera’
    project for Aarhus 2017
    Lizzie Kirk – Community Music in Higher Education: A Dialogic Approach to the
    Interaction of Theory and Practice
    Bella Clifford – Notions of Virtuosity, Female Accomplishment, and the Violin
    ‘Ban’ at the Turn of the Eighteenth-Nineteenth Centuries
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    17:30 – Wine reception – MRC Foyer

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