Postgraduate forum, 2 March 2017
Come and join us in the Music Research Centre on Thursday 2nd March for another day full of varied and exciting snapshots into the work of the music department’s postgraduate community.
All students are invited to submit posters (deadline February 23rd) for the spring forum in March 2017 – it’s a fantastic way to show what you’ve been doing and get an overview of what your peers have been up to all term, as well as a surprisingly helpful exercise in working out what exactly you’ve been doing yourself (…! And if that’s not enough, you could win a PRIZE).
9:00 – Coffee – MRC Foyer
10.00 – Lecture Recital: Beau Stocker (percussion) – Rymer Auditorium
(Chair: Carmen Troncoso)
Drums – Timbre – Africa – Rhythm – Improvisation
11:00 – Coffee – MRC Foyer
11:30 – Paper Session 1 – Rymer Auditorium (Chair: Catherine Fahy)
Helen Diggle – “Such a Lappish Thing that it Cannot Be Translated”: Joik as a
Reimagined Method of Communication
James Redelinghuys – African Eyes, African-ize, African Ass
Katherine O’Neill – The way you make me feel’ An investigation into the effect
of induced empathy on subjective response to music
13:00 – Lunch – MRC Foyer
14:00 – Composition Workshop – Jack Lyons (Chair: Dr Martin Suckling)
Carlo Banhos Estolano – Liv 10 Anos (flute quartet, classical guitar and
Catherine Robson (Clarinet, Alto Sax., Viola, Double bass)
Stefano Gioffré – Obviously it’s love (String quartet)
Shu-Yu Lin – String quartet
15:30 – Coffee – MRC Foyer
16:00 – Paper Session 2 – Rymer Auditorium (Chair: Owen Burton)
Neil Luck – Operatic Mass Actions – A report on a collaborative ‘City-Opera’
project for Aarhus 2017
Lizzie Kirk – Community Music in Higher Education: A Dialogic Approach to the
Interaction of Theory and Practice
Bella Clifford – Notions of Virtuosity, Female Accomplishment, and the Violin
‘Ban’ at the Turn of the Eighteenth-Nineteenth Centuries
17:30 – Wine reception – MRC Foyer
Carlos Zamora’s chor piece “O Magnum Mysterium” was shortlisted at the 2nd MICF Composition Competition in the Malta International Choir Festival.
Ben Eyes works as sound designer and engineer for the Jane Horrocks show “Cotton Panic” at Manchester International Festival.
PhD Composition student Ben Eyes is currently working as sound designer and sound engineer for the Jane Horrocks show “Cotton Panic” at Manchester International Festival.
Ben Eyes and James Cave won an award at the International Community for Auditory Display conference 2017 at Penn State, for ‘Best Use of Sound’.
Miller Theatre in New York City has unveiled its 2017-18 season, which is to include an evening length Portrait Concert of Composer Ann Cleare, Associate Lecturer of Composition in the Music Department.
BBC Radio 3 celebrated the 70th birthday of Emeritus Professor Nicola LeFanu by selecting her as Composer of the Week.