Thomas Simaku at Prague Academy
Thomas Simaku’s music was featured at the Academy of Performing Arts in Prague
https://www.amu.cz/en on Wednesday, 2nd November 2016. His award-winning work, ‘Voci Celesti – String Quartet No. 3’, was given its Czech Premiere by the acclaimed quartet ‘FAMA Q’, who regularly perform works by 20th & 21st century composers. http://www.festival.cz/en/performer/fama_q
Voci Celesti was awarded 2nd Prize at Lutoslawski Forum in 2004 and was first performed by the Rubinstein String Quartet in Warsaw. The work has been recorded by the Kreutzer Quartet on a CD portrait released on Naxos 21st Century Classics series, and has received much critical acclaim.
A more recent work, ‘Herkomman Aria’ for solo clarinet was also included in the programme, performed by the leading Czech clarinettist Ludmila Peterková, who gave the world premiere at 2016 Kuks International Festival in Prague.
Thomas Simaku gave a presentation on his music at Prague Academy, entitled ‘from 1 to 100 (…and a few in between)’ focusing on his Soliloquy Cycle and Concerto for Orchestra – the winning work of the 2013 Lutoslawski Competition.
Miller Theatre in New York City has unveiled its 2017-18 season, which is to include an evening length Portrait Concert of Composer Ann Cleare, Associate Lecturer of Composition in the Music Department.
BBC Radio 3 celebrated the 70th birthday of Emeritus Professor Nicola LeFanu by selecting her as Composer of the Week.
The Magic Paintbrush (By Helen Madden) and Greenacre School Anthem (By Judith Weir and Helen Madden).
Feb 13th and 15th 2017 saw two very special performances of ‘The Magic paintbrush’, a folk opera written for professional performers and school children.
A.I.LOVEs2scream captures a recent improvisation session by Federico Reuben (live coding / electronics) and Paulina Owczarek (alto saxophone).
Ricardo Alvarez Bulacio took part in two international conferences this month, presenting postdoctoral work developed at the Humanities Research Centre.
Catherine Laws gave a keynote address and a performance at ‘Embodied Monologues’, an international symposium of practitioner-researchers in music, theatre and dance, at the National University of Ireland Maynooth, on March 31st. On April 29th she will present a keynote speech at ‘Please Specify!: Sharing Artistic Research Across Disciplines’, the conference of the International Society for Artistic Research, at the University of the Arts, Helsinki, including a performance of ‘Touch and Go’ for piano, written for Catherine by Roger Marsh.