Thomas Simaku – World Premiere: ‘The Scream’ for String Orchestra, Cambridge, 17 November 2017
Based on Edvard Munch’s iconic painting, Thomas Simaku’s new work will receive its world premiere in Cambridge on 17 November 2017 as part of the Concerts at King’s series.
The BBC Concert Orchestra is conducted by King’s College Director of Music Stephen Cleobury. http://www.kings.cam.ac.uk/events/concerts-at-kings/index.html
Of this substantial piece lasting 20 minutes, Thomas Simaku writes:
‘The iconic painting by Edvard Munch was the main impulse for writing this piece – hence the title. Its “silent scream” whose echo spans (and can be heard) well beyond the painting’s time and frame, struck a chord with me for its resonance with our modern times.
In no way programmatic, the music focuses on the concentrated form of expression that emanates from the space, the colours, and the gritty intensity of the “deafening silence” in Munch’s painting. Stemming from a single line – hence, the vocal quality imbedded in the overall melodic expression of the strings is at the centre here – there are a variety of “screamingly-based” sonorities, “vocal” or otherwise, throughout the piece. They cover a wide spectrum of dynamics, and range from very soft and delicate to furiously loud and tumultuous textures, as if reaching our modern times from the remoteness of time itself. These linear manifestations occupy the whole registral gamut of the strings in a symphony orchestra, and are presented in a variety of formats ranging from static (sometimes tenaciously motionless) horizontal lines, through various heterophonic bundles progressively moving at their own pace, to different ‘diagonal’ sliding lines (microtonally inflected or otherwise) that overlap with, and echo, one another.’
Following the success at the 2019 International Society for Contemporary Music (ISCM) – World Music Days , Thomas Simaku’s most recent work, La Leggiadra Luna for mixed choir a cappella, has been broadcast by four European radio stations.
The Royal Philharmonic Society have announced the latest members of their prestigious Emerging Composers scheme, including Robin Haigh, currently studying for a PhD at York with Martin Suckling, and Joel Järventausta, a former York undergraduate.
Back in June Martin was invited to speak about Radulescu’s seminal solo viola piece Das Andere alongside violist Garth Knox at the Spectralisms conference in IRCAM.
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Following on from his specially-commissioned Radio 3 takeover to extend the Last Night of the Proms 2018, Music Department PhD student Neil Luck was invited to contribute a live set as part of 2019’s first ‘Proms at…’ event. Joined by second year undergraduate Rebecca Burden and former student James McIlwrath, Neil masterminded three pieces in an event described by the Guardian as a ‘teasing, challenging new-music bill’. Proms at …
His new work will be performed by four different ensembles in four European cities and released on CD in 2020
The objective of Discovering Young Composers of Europe (DYCE) Competition was to bring together the four regions of Europe (North, South, East, West) by inviting the composition students and alumni of all European Academies, Conservatories and Universities to submit a work.
His work will be performed by a Grammy Award-winning ensemble
Thomas Simaku’s recent work, La Leggiadra Luna for mixed choir a cappella, has been selected by the international jury for performance at the 2019 ISCM (International Society for Contemporary Music) – World Music Days, which takes place in Estonia from 2 – 10 May.