US Premiere for Martin Suckling’s Visiones
Commissioned by the Aldeburgh Festival in 2015, Suckling’s Visiones was premiered by Tamara Stefanovich (piano), Jean-Guihen Queyras (cello), and Mark Simpson (clarinet). It has subsequently been performed on tour by Dark Inventions as part of their ‘From Score to Sound‘ project.
Martin Suckling takes up his Philip Leverhulme Prize in September, during which he will compose a Flute Concerto for Katherine Bryan and the Royal Scottish National Orchestra and a new work for the BBC Philharmonic Orchestra, among other projects.
Professor Ambrose Field is part of a York research team working with Liverpool based artist Laurence Payot to create Living Sculpture (Virtual), on Platform 6 at Crewe Station from Friday 10th March. More information here.
A project which includes the work of Dr Jonathan Eato (Hannah Bruce Company on behalf of Hoxton Hall, The Hoxton Hall Experience: A Collection of Small Choices) has been shortlisted for a Museums and Heritage Innovation Award.
eyam v (woven) for contrabass flute, contrabass clarinet and orchestra by Associate Lecturer in Composition Ann Cleare was premiered by the RTÉ National Symphony Orchestra of Ireland at The National Concert Hall in Dublin on February 14th.
[rout], the new music ensemble with whom Catherine Laws performs keyboards, is giving the first performance of Paul Whitty’s somewhere a field on Thursday March 9th at audiograft, Oxford’s annual festival of experimental music and sound.
Ligeti Quartet Composers Workshop
As part of the weekly CMRC Composers Seminars, the Ligeti Quartet visited the department on 28th February 2017 for a workshop with undergraduate and postgraduate composers.
A new piano trio by Roger Marsh – ‘Cracks’ – was premiered at the Bangor Music Festival on Feb 18th by the Fidelio Trio. Marsh also gave a pre-concert talk and adjudicated a competition for young composers. The following day four numbers from his vocal work Pierrot Lunaire 50 Rondels Bergamasques were performed in a recital entitled ‘Shades of Pierrot’.