US Premiere for Martin Suckling’s Visiones
Commissioned by the Aldeburgh Festival in 2015, Suckling’s Visiones was premiered by Tamara Stefanovich (piano), Jean-Guihen Queyras (cello), and Mark Simpson (clarinet). It has subsequently been performed on tour by Dark Inventions as part of their ‘From Score to Sound‘ project.
Martin Suckling takes up his Philip Leverhulme Prize in September, during which he will compose a Flute Concerto for Katherine Bryan and the Royal Scottish National Orchestra and a new work for the BBC Philharmonic Orchestra, among other projects.
Carlos Zamora’s chor piece “O Magnum Mysterium” was shortlisted at the 2nd MICF Composition Competition in the Malta International Choir Festival.
Ben Eyes works as sound designer and engineer for the Jane Horrocks show “Cotton Panic” at Manchester International Festival.
PhD Composition student Ben Eyes is currently working as sound designer and sound engineer for the Jane Horrocks show “Cotton Panic” at Manchester International Festival.
Ben Eyes and James Cave won an award at the International Community for Auditory Display conference 2017 at Penn State, for ‘Best Use of Sound’.
Miller Theatre in New York City has unveiled its 2017-18 season, which is to include an evening length Portrait Concert of Composer Ann Cleare, Associate Lecturer of Composition in the Music Department.
BBC Radio 3 celebrated the 70th birthday of Emeritus Professor Nicola LeFanu by selecting her as Composer of the Week.
The Magic Paintbrush (By Helen Madden) and Greenacre School Anthem (By Judith Weir and Helen Madden).
Feb 13th and 15th 2017 saw two very special performances of ‘The Magic paintbrush’, a folk opera written for professional performers and school children.