Aaron is an MA composer currently working under the supervision of Roger Marsh. His most recent work explores unconventional instrumentation, and has been underpinned by the dialogue between organised music and indeterminate sounds. His musical language makes use of anything minute, infirm or tactile.
He has previously studied music with the British contemporary-composer Matthew Bourne, Jakob Fichert – a pianist of international reputation, Dr. Elizabeth Haddon – a pedagogical musicologist, and Fred White – producer, and keyboardist for the Grammy-nominated Acoustic Alchemy.
17 October 2018Post The Butterfly Effect: Music for Non-Performance
20 March 2018Post John Cage, ‘Water Walk’, and Tiny Desks: Visual Comedy in Serious Music
25 April 2017Post Taking the ‘Toy’ out of Toy Instruments