Catherine Fahy


Catherine’s research takes place within the field of Word and Music Studies and concerns the relationship between music, psychoanalysis and modernism in the work of Samuel Beckett. Prior to beginning her PhD Catherine completed internships at The London Review of Books and Penguin Random House UK. She has studied at the University of Manchester (UK) and Sydney Conservatorium of Music at The University of Sydney (Australia).

Contact: cef522@york.ac.uk

Catherine holds a full WRoCAH Scholarship

Supervisors Catherine Laws and Emilie Moran (English)